News/actualités : Les Professeurs gribouillent aussi, exposition, au Cabinet de dessins, Ecole de Beaux arts de Paris, du 8 février, au 21 avril. 2023, au plaisir de vous y voir. Information ici/here
Mentionné dans le review Connaissance des arts
Paper, graphite, tracing paper, glass. As part of a protocol, a fellow artist and I exchanged suggested 'assignments' a few times. This one was to work from Rimbaud's poem, 'Les Voyelles' (Vowels).
Pigment and Oil Medium on Canvas, 40 x 40 cm; Done just after the video "Two Apples"
Paper, graphite, tracing paper, glass. As part of a protocol, a fellow artist and I exchanged suggested 'assignments' a few times. This one was to work from Rimbaud's poem, 'Les Voyelles' (Vowels).
The ordinary, 2008
​Daily drawing during or just after 2 weeks spent in silence in Devon, England.
Pigment powder, acrylic medium, on wooden diptychs.
Pigment powder and medium on wooden diptych, 1m80 x 1m20
Pigment powder and medium on wooden diptych, 1m80 x 1m20 each
Pigment powder, acrylic medium, on wooden diptychs.
Five Senses 2000 Installation Created for Chapel in Issy-Les-Moulineaux, Pigment powder, Acrylic, on Wooden Diptych.​ How two people meet through the five senses. Framed by expressions about the senses: an English and a French layer. The colors and forms respond to the unusual and sensitive exhibit space, which was soon to become desacralized.
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40 x 40 cm
Circles, late 90s
Exploring the form and symbolism of the circle, occasionally within the square. Followed by theoretical research about the circle in contemporary art.
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​Little Stitchings ​
(Petites Coutures) late 90s, from recuperated material: discarded cardboard disks and unused fabric, recuperated at night in the Sentier sewing district in Paris.
Pigment on canvas, 1m x 1m20
Pigment on canvas, 1m80 x 90 cm
Pigment on canvas, 90 cm x 1m80
Pigment on canvas, 1m x 1m20
Large Formats, 1990s​
Pigment powder on canvas, fixative. Working
with gesture, eyes, hands and body movement in response to large format. Distributing pure colored powder on drum-like canvas.​
60 x 60 cm, In cellar studio for a short time, trading light for privacy. It was too dark and closed in, but a few works came out of it, including this picture of an industrial pail.
Click to see full image, Pigment, charcoal, medium.
Oil on Canvis Removed from Frame, 50 x 50 cm, Circlish shape, horizontal and vertical. It seems Easter-like, but in fact, I was exploring horizontal and vertical lines, which indeed make a cross. I never had a thoughts or feelings about Christianity around any of my work. Admittedly, I was unconsciously influenced by the society I grew up in. In protestant churches, there were no human representations, only an empty cross, flowers, cloths and the altar.
60 x 60 cm, In cellar studio for a short time, trading light for privacy. It was too dark and closed in, but a few works came out of it, including this picture of an industrial pail.
Early Paintings, Drawings, Etchings