News/actualités : Les Professeurs gribouillent aussi, exposition, au Cabinet de dessins, Ecole de Beaux arts de Paris, du 8 février, au 21 avril. 2023, au plaisir de vous y voir. Information ici/here
Mentionné dans le review Connaissance des arts
To come : Update of site mid- June 2023
Paper, graphite, tracing paper, glass. As part of a protocol, a fellow artist and I exchanged suggested 'assignments' a few times. This one was to work from Rimbaud's poem, 'Les Voyelles' (Vowels).
Pigment and Oil Medium on Canvas, 40 x 40 cm; Done just after the video "Two Apples"
Paper, graphite, tracing paper, glass. As part of a protocol, a fellow artist and I exchanged suggested 'assignments' a few times. This one was to work from Rimbaud's poem, 'Les Voyelles' (Vowels).
The ordinary, 2008
Daily drawing during or just after 2 weeks spent in silence in Devon, England.
Pigment powder, acrylic medium, on wooden diptychs.
Pigment powder and medium on wooden diptych, 1m80 x 1m20
Pigment powder and medium on wooden diptych, 1m80 x 1m20 each
Pigment powder, acrylic medium, on wooden diptychs.
Five Senses 2000 Installation Created for Chapel in Issy-Les-Moulineaux, Pigment powder, Acrylic, on Wooden Diptych. How two people meet through the five senses. Framed by expressions about the senses: an English and a French layer. The colors and forms respond to the unusual and sensitive exhibit space, which was soon to become desacralized.
40 x 40 cm
Circles, late 90s
Exploring the form and symbolism of the circle, occasionally within the square. Followed by theoretical research about the circle in contemporary art.
Little Stitchings
(Petites Coutures) late 90s, from recuperated material: discarded cardboard disks and unused fabric, recuperated at night in the Sentier sewing district in Paris.
Pigment on canvas, 1m x 1m20
Pigment on canvas, 1m80 x 90 cm
Pigment on canvas, 90 cm x 1m80
Pigment on canvas, 1m x 1m20
Large Formats, 1990s
Pigment powder on canvas, fixative. Working
with gesture, eyes, hands and body movement in response to large format. Distributing pure colored powder on drum-like canvas.
60 x 60 cm, In cellar studio for a short time, trading light for privacy. It was too dark and closed in, but a few works came out of it, including this picture of an industrial pail.
Click to see full image, Pigment, charcoal, medium.
Oil on Canvis Removed from Frame, 50 x 50 cm, Circlish shape, horizontal and vertical. It seems Easter-like, but in fact, I was exploring horizontal and vertical lines, which indeed make a cross. I never had a thoughts or feelings about Christianity around any of my work. Admittedly, I was unconsciously influenced by the society I grew up in. In protestant churches, there were no human representations, only an empty cross, flowers, cloths and the altar.
60 x 60 cm, In cellar studio for a short time, trading light for privacy. It was too dark and closed in, but a few works came out of it, including this picture of an industrial pail.
Early Paintings, Drawings, Etchings